Thursday, 10 October 2013

Rush


I’m no racing fan of any kind, never have and all likelihood never will be, so my knowledge of F1 and its long history is very basic. The only time I have managed to follow a season was the end of the 2008 season and start of 2009 season during my time at University, which was down to my flat mate being a big fan and a regular watcher. So what I’m trying to say is. If I make a mistake with a technical term/name or have interpreted something incorrectly, it’s because I just don’t know.

Rush is set in the late 70’s through to 1986 and follows the rise of drivers, and eventual rivals James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Bruhl) from Formula 3 up to the Formula 1. I’ll avoid spoilers much as I can, as I went into this film with very limited knowledge of these two men or their stories. Along the way we see how their similar privileged upbringings produced two very different men. One who was very loose and was willing to take risks in every aspect of his life and the other who was scientific and methodical in his.

The way this film is structured and plays out is very unlike most historical or biographical films, so much as it focuses on a relatively small portion of time and even then passes skips years to get us to the crucial and iconic season.

It also doesn’t focus specifically on either man, instead it jumps back and forth in sections from one to the other. The early focus is on Hunt, which sets the film up to be solely about him, before cutting to Lauda’s rise. Both are handled well and give us enough information and time with the characters so that when the big races come around we are invested in them both. Making you choose in effect who you want to see win each race.

Both performances are good, Hemsworth gives us a charming and likeable man who can seemingly do whatever he wants, can have any woman and has the support of rich friends. The good times are entertaining, but it is when his life starts to spiral downwards that Hemsworth gives us the more interesting side of the character. Dealing with excessive drinking and the break up of a marriage while trying to do his job.

Bruhls performance is oddly the more flashy and more likely to get recognition come awards season. There are more ticks and mannerisms to this performance than Hemsworths, and maybe that is accurate of the man himself. This is by no means is a criticism, as at times Lauda’s tinkering with cars and blunt comments are a enjoyable to watch as Hunts antics. Bruhls best moments come from the crash and beyond. The pain and obsession all feels real as he desperately tries to recover from a frankly horrific accident.

The biggest star of the film and the thing that kept me engrossed the most was the look and sound of the film. Never has the noise of gear changes, tires and engine movements sounded more exciting or captivating. I hope the cinema you see it in has their sound system as high as the one I saw it, other wise you would genuinely miss out and one the biggest and best parts of this film.


Rush is definitely a stand out film, especially considering the amount of films that are being released now. The awards seasons is starting to gear up, as is the horror surge we usually get in October and November. Don’t be put off by the racing elements of the story, go and enjoy an interesting movie.