Wednesday, 15 January 2014

Twelve Years A Slave


As I right this, Twelve Years A Slave has this past week won the Golden Globe for the Best Picture in the drama category. This will no doubt be the first of many awards that are bestowed upon this film. Some said before it came out, that this was a clear case of Oscar bait, based on a true story, a difficult subject and one that is constantly a hot topic whenever it comes up.

Like last years Django Unchained, which looked at slavery and racism a well but through Tarantino’s stylistic sensibilities, it too raised a discussion and pushed it to the front of people’s minds.

Twelve Years A Slave is Steve McQueen’s third film, following Hunger and Shame, two films about the suffering, although in those two it was mainly about the suffering of men. But here, the suffering is spread out equally, both men and woman suffer and at the hands of fellow human beings.

The film follows the story of Solomon Northup, a free man in New York, who is tricked and then sold into slavery. Taken to an auction and then to two very different plantations and two very different owners/masters. The plot is relatively straight forward, but gives us enough to keep the plot going, as Solomon tries to free himself. This film is more interested on the characters and rightly so.

Chiwetel Ejiofor as Solomon Northup is a powerhouse of righteousness and strength, his battle to get back to his family is one of the key focuses of the film, but the real central story, that Ejiofor gets spot on, is the internal battle to never give up, but to survive and then live again. He is regularly beaten and humiliated, but it is his unflinching need to be free that keeps him going. For all the role could have been, it is played very subtly, never becoming over the top or too loud. His pain and suffering is internal and kept to himself, something we see when hope appears out of reach or is lost.

Steve McQueen’s direction gives the film a very classical, almost western like to the film. Giving us long shots of the world the characters live in, mixed with the brutality of the lives of those trapped. One particular scene, probably the scene that will stay with you long after the film ends, is a botched lynching.

John Ridley’s script, based on the book of the same name by Northup himself is a real triumph and gives everyone plenty to do. Expertly filling out the supporting cast and bringing them to life, while the world and time of the film would disagree, in the script, everyone is important.

A slave is hung from a tree, but can still just touch the floor with his feet and is forced to keep himself elevated for hours. The shot is well over a minute, but it isn’t the lynching that is the worse part of the shot. More it is the reaction to the other slaves, who simply go on with their lives. It is something that has happened before and will happen again. Its just part of the world they are in now. That could be said to be the true horror of the film.

It is a horrible subject and features some truly terrible scenes of what people were and still are capable of doing to each other. But it is made with such skill and restraint that it is hard to look away and miss a second of this great film.

Director: Steve McQueen.
Writer: John Ridley (screenplay), Solomon Horthup (book).