Thursday, 17 April 2014

Still Searching: Thoughts on the Uncharted Film


A few months ago there was an announcement that there would be a film adaptation of The Last of Us, arguably one of, if not the greatest video game ever created. It combined addictive gameplay, a masterfully plotted story, stunning visuals and some of the most layered and detailed characters you will find anywhere in any medium.

When Naughty Dog, the studio behind The Last of Us, went beyond and set a new benchmark, it was highly likely that someone would come along and want to make this sweep storm into a film. For me a mini-series on something like HBO would be the best way to approach this kind of adaptation, but no one is listening to me.

There is one huge question you have to ask when contemplating a The Last of Us adaptation.

Where the fuck is Nathan Drake?

In what would be undoubtedly an easier adaptation and one that offers guaranteed sequels and a regular presence in the summer blockbuster dogfights, its baffling that the often rumoured Uncharted adaptation is still nowhere to be seen. So far.

The Last of Us, is hardly a family friendly jape. It’s misery and despair wrapped in a ball and tossed down a road to an eventual horrible death.

For those of you unfamiliar with the series (go and buy a Playstation 3, all three games and book a week off work).  In the meantime, I’ll give a brief outline of what Uncharted is. At least to me.

In terms of videogames, it’s probably closest to something like Tomb Raider, it was in fact dubbed “Dude Raider” (or something close to this) on the release of the first trailer. If you were to compare it to a film, it stands pretty firmly as an updated version of Indiana Jones.

During the games, you traverse the globe, searching for some kind of treasure or lost civilization. This search is usually made a tad challenging by either being pursued by, or in a race with a mercenary or secret society, out to claim it for their own.

So let’s look at what kind of film we would get from an adaptation Uncharted. Tonally, it is a lot lighter than The Last of Us, there is a lot more humour, even if it is often sarcastic and very dry at points. The series is a reflection of Drake as a whole. Adventerous, charming witty, but also dangerous and ruthless.

The way I see it, is that it would sit somewhere between an Indiana Jones film, most likely one of the Nazi ones as their tone was just that bit more serious. Then mixing it with a modern action film like Casino Royale as Drake is very capable of getting his hands dirty, especially up close and personal.

Humour would play a significant part in the film, but not one that would tip the film into the action/comedy genre, something that the Marvel films have done, to the detriment of some of its films. Nathan Drake and Victor Sullivan, Nate's older partner and the man who has essentially raised him, have a really quick 'back and forth' relationship, filled with jokes.

The obvious risk with a film like Uncharted is that it could easily turn into a CGI filled forgettable action fest. Yes, the set pieces and really big moments in the game are spectacular, the rooftop escape and train sequence in Among Thieves are two of the best you will play through anywhere, but it’s the characters that people care about. In the same way that Spielberg did with Indiana, and other clever directors have done with other big characters, sticking to practical effects is a must. Most audiences are smart enough to realise when you switch to a digital version of a character and at least for me, I check out of those moments.

A case in point, would be the Mr Smith fight in The Matrix Reloaded, the first half of it is impressive, it’s Keanu Reeves or stunt perfomer and it looks great, but when it changes to a digital Neo (yes technology has advanced), it just isn’t the same, the movement is off and there is a lack of emotional investment as a result. So if we do have lots of supernatural or cursed bad guys in the series, get out the make up and latex and leave the pixels at home.

Contrast that with The Last Crusade and the tank chase in the desert, arguably a bigger and longer set piece, yet almost all of it was practical, there is a real man hanging from the tank or jumping onto the horse. There is a connection there to the action, we know the limits. It’s this kind of direction that the Uncharted film should take.

For me, the weight and quality of any big budget film isn’t in the big action sequences, it’s when you realise the stakes and the consequences for the action and decisions that the main characters are involved. What is left of their world, if this or that happens.

When things get bleak, or we get into dark part of the film, is it severe enough, is it scary. Think of Temple of Doom, we see a man have his heart taken out, we’ve seen the fate of the slaves in the mines and what people will do keep the temples secrets undiscovered. If they don’t get out, Indy and the others will die badly or spend the rest of their lives as slaves to a cult. They are stakes that you can believe in.

I’ve talked about the series, but without its main man, this series would lose its spirit. A weird blend of John McClane, Indiana Jones and James Bond, with the seeming invincibility of Matrix (Commando). He’s a genuinely likeable guy, funny and for the most part does the right thing. But it’s in those other moments, where Drake really comes to life, the difficult decisions and realisations that he is only human and that there are somethings he just can’t do.

As with any big tentpole film based on something that already exsists, fans will wait for the inevitable announcement of will play the main character, or any character and then proceed to go crazy on messageboards and Twitter.

So just for fun, I’ll quick put forward three possible names for who could bring Nathan Drake to life.

Bradley Cooper, Chris Pratt and Jake Gyllenhaal. While Cooper and Gyllenhaal are both established A-listers and would undoubtedly lend this franchise the weighty star power it would need at first, Pratt is a rising star and with this years Guardians of the Galaxy looking good so far, it wouldn’t be a stretch to someone like him, who has shown a good body of work, to grab the role.

Gyllenhaal is probably the closest physically to Drake, not that something like that should really come into consideration. If an actor gets the role and character, then give him the job. But Gyllenhaal would also bring probably the darkest interpretation of the character, especially considering the roles he has played recently and done the best work with.

Cooper, brings arguably the biggest name, at the moment and probably the most bankable too. His comedy timing, especially the more cutting stuff would fit in with the way that Drake talks and delivers some of his most memorable lines.

Each man would have their advantages and disadvantages, but luckily, there is a plethora of actors out there capable of doing the job.

I won’t throw any writers (I’m free though) or directors names forward for the job, instead I’ll talk about what would be an even more important aspect of this adaptation. The writing. It is something that Naughty Dog takes very seriously, especially as Uncharted is an on-rails experience for the most part.

As I covered earlier, it is the relationships between the core characters that is one of the series’ greatest strengths. You’re given people to care about and root for. This is something that no matter how good the gameplay is, cannot be cheated out of. Call of Duty is a pretty good first person shooter, but can you honestly say there are any characters you a deeply invested in?

Focus on the characters, the spectacle is easy, Naughty Dog have already given you three games worth off stunning set pieces. Worry about giving us real people, characters who are interesting, bring them to life like the games did.

So if you get into a conversation about The Last of Us, even if you are a fan of the idea, ask the person the question I posed earlier on. Because that is a series that deserves and would work as a film.

Where the fuck is Nathan Drake?

He’s still waiting