Showing posts with label Alien. Show all posts
Showing posts with label Alien. Show all posts

Friday, 8 June 2012

Prometheus


Spoilers ahead, you have been warned!

It’s definitely set in the same universe as the other Alien films (I’m not including the AVP films, as they have their own continuity), and has aspects from them that help to anchor in that universe. But whether it’s a direct prequel to Alien or just set in the world of it, has been something of puzzler given the conflicting statements from both Ridley Scott, Michael Fassbender and other cast members. Having seen it a few days ago, I think I have got a grips on where it stands in regard to the series and primarily Alien and the events both preceding it and following it.

Prometheus, as far as I take it, acts as both an origin theory for mankind, and in the smaller scale, an origin of how the xenomorphs (the series primary antagonists) came into existence, as it is clear from the outset of this film, that they were engineered as a biological weapon, and a pretty efficient one going off what they get up to in the future. As for the origin of mankind, the opening sequence (or prologue, depending on your personal taste) offers up an alternative theory, with one of the engineers sacrificing himself to create life on what is almost certainly Earth.

I wouldn’t give a blow by blow account of the film’s story, but following on the prologue, we are introduced to our heroine Dr Elizabeth Shaw (Noomi Rapace), an archaeologist who is searching for the creation of life (I think, but I could be wrong on this point), but finds evidence pertaining to the engineers and shortly after, her and the rest of the crew of the ship, also called Prometheus, are heading towards LV-223. Not the fabled, and possibly the worst holiday destination in cinema history, LV-426.

Like the core Alien films, we follow a selection of the crew, focusing on their stories and developments, and keeping the others in background (to be sacrificed when it is called for). These main characters are the aforementioned Rapace, Michael Fassbender as the android (a perfect piece of casting), Idris Elba as the ship’s captain Janek, Charlize Theron as the Weyland Industries executive, and Logan Marshall-Green as Rapace’s colleague and “love interest”. Of these, the stand out is, as usual, Michael Fassbender as David, who along with Shaw are the films central characters, once again the Alien series has avoided using the traditional heroic male character, instead of two unlikely, but interesting characters. A doctor and an android.  David, occupies the position of being both inferior, and yet superior to his shipmates, acting as both the human to the crew’s engineers, and also being the engineer at the same time, firm is his superiority and coldness when it comes to decisions and experiments. Prometheus is in all honestly, watching just for Fassbender’s David.

Visually, this film is stunning, as all Ridley Scott’s films, and makes you wonder what Alien would have look like with this budget and freedom, but perhaps that film would have suffered for it. Prometheus however, does not, the glorious claustrophobic interiors of the dome, hark back to the darker parts of the Nostromo, and the basements from LV-426, while giving us a scale and history that adds to the previous films. Showing what happened to the engineers, and the birth of the xenomorphs.

Some people will be unhappy that it doesn’t dovetail nicely with Alien, but I am not one of them, this films acts as fork in the road, in one direction we get Alien, Aliens, etc, the history of the xenomorphs and Ripley. Where as the other direction will hopefully take us off into the direction of the history of both the engineers and more ideas about the creation of humanity. Did it need more action and facehugging action? Maybe, but I found the bigger questions and ideas it raised more interesting than seeing someone torn to pieces. Not that there are no horror moments, there are three genuine, squirm in your seat moments, one features the classic sc-fi convention of the excess crew members in the wrong place, at the wrong time. The second is a brilliant, tense piece of self preservation and on the spot surgery that even Dr Nick wouldn’t be so hasty to get started, and the final is a struggle, in very close proximity featuring all three species.

Ignore the negative comments, and go and experience this film in the cinema where it is at it’s best. My only piece of advice, is don’t go in expecting a carbon copy of Alien, because you will let a great, thought provoking film pass you by.

Sunday, 27 September 2009

Alien

Ridley Scott's classic Sci-Fi/Horror film, or Horror Sci-Fi film stands as one of highlights of both these genre's and the golden decade that was the 1970's. At times the inability to clearly state which of the two genre's dominates the film, is to the credit of both Scott and writers Dan O'Bannon and Ronald Shussett, who seemingly chose to use the strengths of both genre's without any of the weaknesses. An example of this is that went with fully developing their characters, something common within Sci-Fi, but something rarely seen in the Horror genre.

The plot of Alien follows the crew of the Nostromo as they return in the gargantuan ship from a mining job(I believe, it is never fully stated). However they are woken up before they get to earth, after the ship, controlled by the computer known as "Mother" picks up an SOS signal. Landing on the now legendary LV426, they crew explore the remains of the ship, and inadvertently bring something back.

The performances within Alien are all superb, from the smaller roles of Dallas and Kane, up to the unsettling Ash and iconic Ripley. The performance of Ripley is perfect, as Sigourney Weaver nails each note of Ripley's frantic emotional and physical jounrey in her attempt for survival, undoubtedly the performance that launched a Sci-Fi legend. Also, John Hurt's table scene performance can't be left out, it was so good, it apparently shocked the rest of the cast.

The weaknesses of Alien are small and for the most part not worth mentioning, the only consistent one mentioned is that it takes too long for stuff to start happening, or "for people to start dying", this for me is a sign of no patience and not being interested in the characters, if people ever use this criticism, I recommend quickly showing them towards the current wave of gore films. In fact, it could be argued that this apparent weakness is actually Alien's greatest strength, it is patient and is willing to add and depth and explore it's characters.

Verdict: *****(5 out of 5)