Showing posts with label Guy Pearce. Show all posts
Showing posts with label Guy Pearce. Show all posts

Sunday, 5 May 2013

Iron Man 3


No. No. No. No. No. 

This was pretty much my reaction upon the credits rolling at the end of this film, it was a film that didn’t deliver and seemed more interested in clever one liners and jokes than telling any kind of interesting story.

Spoilers beyond this point!

Iron Man 3, is the first film after last years mammoth release The Avengers which brought together it’ four main heroes and few secondary ones (where they were during the events of this film is an issue, don’t let fan boys tell you it isn’t) and made around $1.5bn. It’s also, obviously, the third in the Iron Man series. A franchise that after a great opening instalment, failed to deliver or evolve in its sequel Iron Man 2, which became more of a two hour commercial for the rest of Marvels Cinematic Universe. So there was a real need for this franchise to get back to it’s earlier form.

Let’s start with the good parts of Iron Man 3, Robert Downey Jr is superbly entertaining as usual, delivering numerous one liners that pepper the script with perfect precision both in terms of timing and the tone needed to carry them off. He makes the best of a somewhat sloppy central arc, adding much more to it through his look and physical state than the dead on dialogue that he has to deliver.

It’s going to be hard for Marvel to find a replacement for Downey Jr, if he decides enough is enough with this character and series, and judging by the weariness that seems to be on show with the series as a whole, that day may not be far off.

Bin Kingsley and Guy Pearce give solid if somewhat standard performances as the villain, its seems as though like Mickey Rourke in the previous film, they weren’t given enough time to really capitalize or fully build there characters. Which is a shame, considering how charismatic Pearce is, and how superb Kingsley is as the Mandarin. Pearce’s few scenes with Paltrow are some of the most sinister of all the Marvels films, it’s a shame we weren’t given more of it.

Unfortunately that is pretty much where the good ends, yes the effects are good, but that is never something that a film of this size should ever hang its appeal on. The overall plot of the film is muddled, we have Tony trying to solve a mystery and Rhodes hunting down the Mandarin, or if two scenes can really be construed as a hunt. A lot of time is given to character moments with Tony, but its most definitely at the expense of the film, jokes are strong in the short term, but not when they restrict the pace or drive of the main narrative. As opposed to it being an action film with some comedy, it ends up as a comedy with action set pieces once in a while.

The set pieces in themselves are relatively low key and passive, maybe with the exception of the CGI filled finale that sprawls through a port, aided by the convenience of multiple suits to sustain the little tension there was . The best set piece is set in a small Tennessee town, where Tony doesn’t have any of his technology and must out think the people chasing him. In fact, this is probably the best action sequence in which Iron Man has finished, it actually has a sense of peril and tangibility that all the others didn’t.

Major Spoilers from here on!

I am no Iron Man enthusiast, I’ll admit this now in case these are true and accurate interpretations of these characters.

Now we get to the two biggest problems I had with the film, the first was the grand plan, or even the motivation for the main villain Killian (Pearce) had, as it seemed to involve getting revenge on the President for some ship sinking and spilling oil everywhere, but no “fat cats” facing a day in court. This is revealed within the last 20 minutes, but no reference to this event has been made to the ship or incident in the previous 110 minutes. I’m not if this is some kind of reference to do with the BP disaster a few years ago, but if it is, it’s a very poor one and should have probably been left out.

The twists, there are two of them, let’s get to the more conventional and the one that didn’t kill the film. Killian has been developing the extremis program, something that helps in limb restoration and basically promotes people to have almost superhuman abilities, regarding strength and regeneration. The president I assume is against it, as one of his cabinet appears to be in league with Killian, because what is either his daughter or granddaughter is missing a limb. So he is obviously pro-extremis.

This second twist, although I think occurs just before the above one completely killed the film for me, taking any momentum from that particular storyline and character. It involves the reveal of the Mandarin being nothing more than an English actor playing a role, the reasoning for it is fairly solid that Killian gives, but the actual reveal is played for laughs and yes RDJ and Kingsley are very good, but the Mandarin was shaping up to be an interesting villain. But instead he is jettisoned along with what could have been an interesting dynamic between him and Killian. Oh well, a cheap laugh is better than an interesting character.

Spoilers end.

Shane Black is a great writer and director and if you want to see him and RDJ on top form, go and buy Kiss Kiss Bang Bang, it’s so much better than Iron Man 3, more exciting, amusing and with one of RDJ’s best performances.

If this is how Marvel are launching Phase Two, then bar Thor: The Dark World, you can count me out of the rest of this. They are creating a brand of their own within the comic book genre, one of mediocrity and no ambition (Thor excluded).

Honestly, give it a miss, the man of iron is dulled and boring, we need a Man of Steel.

Thursday, 7 May 2009

Memento

As this is the first of my film reviews, I thought I should probably start with my favourite film, which is as you may have guessed, Christopher Nolan's 2001 neo-noir Memento.

Memento tells the story of former insurance investigator Leonard Shelby (played perfectly by Guy Pearce) as he searches for the man who raped and murdered his wife, and is responsible for Leonard suffering from anterograde memory loss. A form of short term memory loss, where Leonard is unable to remember anything for more than a few moments. 

Structurally, Memento plays in reverse chronological order, for the most part anyway. The colour sequences are primarily of Leonard searching for his wife's killer, whilst the black and white section has Leonard talking on the phone to an unknown person about his past, and how came to the situation he is in. To simplify, the colour sequences run "backwards", whilst the black and white run in correct chronological order.

The reason for the structure is clear, and in terms of the story, essential. Without the use of the structure we would witness the narrative unfold from an objective perspective, and would be more aware of what has happened than Leonard is. With it running backwards, we experience it from Leonard's perspective, which gives us a very subjective view of the story.

The lead character of Leonard, as previously mentioned played perfectly by Guy Pearce comes across as first being a one dimensional character who is simply out for vengeance, but as the film progresses we see pieces of his past and his actions that build this complicated character, who struggles on in the attempt to find his wife's killer with this major block in front of him at all times.

The two main supporting characters of Teddy (Joe Pantoliano), the man Leonard kills at the beginning (or the end, depending on how you view it) as he believes him to be the killer. As well as Natalie (Carrie-Ann Moss), a bar maid who helps Leonard track down Teddy. Are both played superbly, bringing out these characters that would just as soon help Leonard as they would plot and use him to their own ends.

Delivering a final verdict on this film is easy for me, as I would highly recommend it to anyone for a multitude of reasons, some of which have been discussed above. Quite simply it is a must see film.

Score: *****(5/5)